Karen Gillan tearing Katy Perry to shreds with her I Kissed a Girl parody.
“I kissed a girl just to sell a hit and you lot bloody fell for it.”
Mean Girls: The Politics of Girl World
“She wanted me to be beautiful so I could find a man. There’s nothing wrong with that. But then what? Just sit and smoke and let it go ‘til you’re in a box?”
Betty Draper
Femininity is a gender expression. It is not an index of competence; liking frilly dresses and flowers in your hair (or whatever; shows how much I know about it), being a girly girl, has all of zero effect on how good you actually are at stuff. Feminine women write law and change tyres. But currently the way we approach clothing forces the confluence of femininity and incompetence: bags that restrict a hand, shoes you can’t run in, clothes that don’t let you carry things. Massive impracticality is, unfortunately, solidly coded feminine.
— The politics of the pocket « This Wicked Day (via clingtomymouth, stevemcqueef)
Tiger Beatdown: Welcome to the Institute for Beyonce-related Cultural Studies →
“Our psyches have been warped to focus on pleasing rather than establishing our own pleasure. This isn’t just about sex. This is about constantly being a compliant caretaker, or doing the emotional work to keep a relationship working smoothly, of anticipating desires.
I was thinking earlier this week about the psychological effect that performing femininity must have of women, because in its purest form, it is not only humiliating, but kind of disturbing. I am thinking specifically of two videos that are getting a lot of attention, which present performances of femininity by people that are not adult women. One is deemed to be hilarious, the other disturbing.”
March 22, 2010: Paris— a woman presenting a 18-carat diamond ring mounted in a sex toy, sold by a Paris jeweller for €40,000 ($55,000). The luxury sex toy ‘was designed for rich people who want to declare their love in a special way,’ said Jean-Francois Tokars, a manager at Maison Victor.
(Photo credit: Francois Guillot/AFP/Getty Images)
This Recording: In Which We Ask That You Reconsider Purchasing This Bill Of Goods →
“All gender is a performance. That all it takes to turn Tina Fey from a normal person into a bombshell is some makeup, high heels, and a push-up bra is mostly a testament to the extreme fetishistic powers of makeup, high heels, and push-up bras.”
Ghost World: Trailer
Rebecca Solnit discusses 'mansplaining' →
“Perhaps the translator was peeved that I insisted on playing a modest role in the conversation, but when I said something about how Women Strike for Peace, the extraordinary, little-known antinuclear and antiwar group founded in 1961, helped bring down the communist-hunting House Committee on Un-American Activities, Mr. Very Important II sneered at me. The House committee, he insisted, no longer existed in the early 1960s and, anyway, no women’s group played such a role in its downfall. His scorn was so withering, his confidence so aggressive, that arguing with him seemed a scary exercise in futility and an invitation to more insult.
I had written a book that drew from primary documents and interviews about Women Strike for Peace. But explaining men still assume that I am, in some sort of obscene impregnation metaphor, an empty vessel to be filled with their wisdom and knowledge. A Freudian would claim to know what they have and I lack, but intelligence is not situated in the crotch — even if you can write one of Virginia Woolf’s long mellifluous musical sentences about the subtle subjugation of women in the snow with your willie. Back in my hotel room, I Googled a bit and found that Eric Bentley in his definitive history of the House Committee on Un-American Activities credits Women Strike for Peace with “striking the crucial blow in the fall of HUAC’s Bastille.” In the early 1960s.”
novazembla:shakepaper:kissakerho:teapower:enumerate:
‘American Able’ intends to, through spoof, reveal the ways in which women with disabilities are invisibilized in advertising and mass media. I chose American Apparel not just for their notable style, but also for their claims that many of their models are just ‘every day’ women who are employees, friends and fans of the company. However, these women fit particular body types. Their campaigns are highly sexualized and feature women who are generally thin, and who appear to be able-bodied. Women with disabilities go unrepresented, not only in American Apparel advertising, but also in most of popular culture. Rarely, if ever, are women with disabilities portrayed in anything other than an asexual manner, for ‘disabled’ bodies are largely perceived as ‘undesirable.’ In a society where sexuality is created and performed over and over within popular culture, the invisibility of women with disabilities in many ways denies them the right to sexuality, particularly within a public context.
Too often, the pervasive influence of imagery in mass media goes unexamined, consumed en masse by the public. However, this imagery has real, oppressive effects on people who are continuously ‘othered’ by society. The model, Jes Sachse, and I intend to reveal these stories by placing her in a position where women with disabilities are typically excluded. - Holly Norris



